First – read this…
I’ve realised that a lot of my posts preach to the choir. Lots of in-jokes about indie writers, the behaviour of authors and reviewers on Amazon, and how not to make a twat of yourself online or while sending in submissions. Not to mention how much money you won’t be making, and the joys of sharing your book launch date with anything in the region of 10,000 other writers publishing their books on the same day.
But supposing you’re fresh to the blank page, taunted by ideas waiting to take on a form, and in love with the idea of holding your own book in your hands or gazing at it on your electronic tablet? (Trust me, if anyone’s going to be holding it in awe, you’ll be that person).
So I’m going to go all Delia Smith on you, and start at the beginning.
Starting with the simple egg – your idea, before it has hatched.
You start with an idea. But what genre is it? It can be anything, but it will need a description when you publish or submit, even if it’s only ‘general fiction’.
If it’s not your own idea, and another author is already minted by it, it’s only legal when it’s a ‘parody’. Make sure it has some decent jokes in, change the key names of characters and locations (viz, Barry Trotter), don’t write their exact prose, storylines, or copy their cover/title/author name verbatim, and you won’t be likely to get sued. Parodies are HUGELY popular. If you’re going to parody something that’s already massive, such as Harry Potter or Fifty… (of anything), make sure you Google search all of the “(Original title) parody/parodies” that are already published first. Even self-published authors can get stroppy if you write the same thing. Some of them are also lawyers in their spare time.
Writing parody is a good exercise if you’re new to writing, or have previously only written fan-fiction. You can’t publish fan-fiction with an ISBN or sell it online (that way litigation lies), but you can publish parody. Some territories are still sensitive about it, so the more you make it your own story, the better.
‘Memoirs’ are another opener onto first-time writing. But be aware that to avoid slaps from friends and family, and visits to Jeremy Kyle, it’s best to change all the names in your diary, and possibly your author name too. Change a few more things, then a few more, and hey presto – instant fiction, inspired by real life. But don’t publish something as ‘true-life’ when it clearly isn’t. That imaginary gryphon will be demanded as evidence.
Play with your idea for a while. Write down a list of “what ifs”. What if this happened, what if that happened? What if one of your characters turned out to be XXX? What if it was set in an asylum rather than a school? (Don’t use that one, it’s the plot of Girl, Interrupted and the movies One Flew Over the Cuckoo’s Nest and Sucker Punch, among many others). Keep playing until you’ve come up with the most exciting and original version of your initial idea that you can think of.
N.B: If you are writing a children’s story, avoid any themes that involve strange creatures, hairy or otherwise, hiding under their beds or turning up in their bedrooms and talking to them. Seriously. It’s just wrong. Go and have a serious chat to yourself, and start again. If you’re going to be a trusted author for young readers, any bodily hair envy and bedroom loneliness needs to be put aside while you write. These things have a way of turning up inappropriately in plotlines and passages written by the amateur author.
It’s a good time to begin thinking about your potential audience (that’s assuming it isn’t ultimately limited only to yourself). What sort of lifestyle does your future reader have? What are their interests? (Also assuming that their primary interest isn’t to be in competition with you, feverishly typing away at their hors d’ouevre – sorry, latest ouverture/magnum opus – in their bedroom, wishing that they had a hairy chest and some good company).
Remember that if you are hoping to write with authority on any given subject, you may be in luck – and your first unknown reader will be that very expert you dream of being. So make your research the best it can possibly be. Try not to quote directly from Wikipedia, though. Especially not in speeches made by Churchill, or adventurers describing the landscape and population of Peru. You don’t want your first ever review announcing that you have quite clearly never set a heathen foot in Royal Tunbridge Wells, where the imaginary Mafia underbelly of your Victorian-era thriller is set. Yeah – better do some research first…
Characterisation vs. caricature:
Again, this where you have to make a distinction between general fiction, and parody.
If your hero is a time-travelling sock-puppet salesman assisted by various young Earthlings shanghaied on a mission to save the Universe repeatedly from the threat of laser-firing wheelie-bins powered by small gelatinous blobs, via the magical depths of his flying Portaloo – especially if his name is Doctor Why (more of a medical query than a name) – enjoy your own joke, and try again.
Or perhaps he is a 19th Century sleuth, Padlock Homes, who plays the cello, freebases Brylcreem, and stalks the streets of London in a Burberry Pack-a-Mac and matching sou’wester hat, haunted by the crimes of his nemesis Monsanto, to the ongoing befuddlement of of his male PA/secretary, Dr. Whatsapp.
We all love a quirky character. As well as making your character original (see above – or not), try not to give yours so many quirks that they are effectively crippled the moment they have to interact with anything. Whether it’s a bottle-opener, reading the mail, having a shower, talking to a shop assistant, or touching anything in the fridge.
Not every passing butterfly has to bring back six pages of traumatic (or idyllic) recall to the mind of your character. For a story to happen, your role-players need to have some functions that do not involve thoughts of a dead past love or an irrational fear of toilet paper.
You now have all you need to get writing.
Seriously – this is as good a time to start as any. Titles can come later. Synopsis can come later. Draft chapter plans if you want, or make prompt cards for certain events or plot points if you like. But the sooner you start, with your key ideas and key characters, the sooner you’ll find out if it’s an idea you want to run with, or something you lose interest in quickly, and drop. If it’s the latter, you don’t want thirty years’ worth of preparation to go to waste. Thirty minutes is long enough to have a story idea and a character idea ready in your head – and if you’re already an expert in any chosen subject matter, you don’t even need to do the essential research, because it’s already inside you.
Jump in with both feet – and remember: Innovate* don’t imitate**
*Unless it’s a parody…
**Credited to various, including Apple 😉
Let me know how you get on – and if I can answer any questions, I’ll do it in the next post.